Wednesday 21 August 2019

Puccini - Le Villi (Florence, 2018)

Giacomo Puccini - Le Villi

Maggio Musicale Fiorentino, 2018

Marco Angius, Francesco Saponaro, Maria Teresa Leva, Leonardo Caimi, Elia Fabbian, Tony Laudadio

Dynamic - Blu-ray


Puccini's first opera Le Villi is no lost masterwork but it is probably unjustly neglected. The opera enjoyed limited success after it was first passed over in a one-act opera competition (which seem to be popular around this time in Italy). Revised as a short two-act opera, it had a moderately successful opening at La Scala in 1885, and while it may never have found its way into the repertoire, Le Villi put Puccini firmly onto the opera world map, hinting even at true masterpieces that were to come.

The qualities of Le Villi are perhaps not so much in the actual plotting of the opera, the work developed from a libretto by Ferninando Fontana, who based the work on an old Black Forest legend of the Willis, vengeful figures said to haunt the woods, the ghosts of girls who have died of love waiting on unfaithful lovers who have deserted them. Puccini sets this fantastical tale as an Opera-Ballo (there aren't many of those in Italian opera), running to an hour in length, with as much symphonic moments and dancing as there is singing, but the seeds of the great and familiar Puccini works are already evident here.


With a limited plot and limited time to develop the story, Puccini opens Le Villi with a chorus of celebration that is not unlike the manner in which the Café Momus scene explodes in Act II of La Bohème, celebrating the wedding of Anna and Roberto. Madama Butterfly comes to mind as well, Anna resigned to a separation from her husband, singing of flowers and regret, as Roberto must travel to Mainz to collect an inheritance.


The orchestral writing is beautiful (and brought out well by the Fiorentino orchestra under Marco Angius here in a recognisable Puccini idiom), bringing out all the familiar phrases and sentiments in the music. The libretto and arias are a little superficial and repetitive -'Forget me now', 'Don't doubt my love' - which hardly explore the sentiments in any depth, but it's charming and beautifully melodic. It may involve common people but it's hardly verismo either, romantic to the core with inflated emotions. And of course a fantastical element of ghosts.

Puccini's handling of this element of the story is also unusual and interesting, far from the common operatic treatment. Dividing the two acts with a Parte Sinfonica, a priest/narrator describes how Roberto did in fact wander from the path, taking up with a courtesan in Mainz, causing Anna to die of longing. In anger at the treatment of the poor girl, Anna's father Gugliemlo calls out to the Villi to avenge her death, and the creatures rouse themselves, lying in wait in the Black Forest should Roberto return, writhing and dancing to Puccini's swirling ballet music.

The 2018 Maggio Musicale Fiorentino production stages this well, director Francesco Saponaro not just leaving the dancing for the intermezzo, but using it to enhance the scant dramatic element of the short opera, matching the rhythmic flow of Puccini's score throughout, from the wedding dances at the opening to representations of the flow of time and the flow of sentiments. The simple but stylish production design also reflects the two halves of the work, warm in the first half, cold in the second, the golden trees turning silver. There are only three singing roles, all recognisably challenging Puccini roles, but the singing Maria Teresa Leva as Anna, Leonardo Caimi as Roberto and Elia Fabbian as Guglielmo is good, if inevitably a little strained in places.





Puccini's Le Villi from the Maggio Musicale Fiorentino is available on DVD and Blu-ray from Dynamic. The relatively darkly lit production hasn't been brightened for film recording, so it doesn't look perfectly sharp, but the colouration and tones are good and it captures the stage production well. The LPCM stereo and DTS HD-Master Audio 5.1 soundtracks are both fine, no great difference between them, both mixed well for the balance of music and singing. The BD is all-region and there are subtitles in Italian, English, French, German, Japanese and Korean.